1.0rosalux.grhttps://rosalux.gr/en/rich600338<blockquote class="wp-embedded-content" data-secret="bpy6YkfOhY"><a href="https://rosalux.gr/en/publication/a-call-to-rasanblaj/">A call to rasanblaj</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://rosalux.gr/en/publication/a-call-to-rasanblaj/embed/#?secret=bpy6YkfOhY" width="600" height="338" title="“A call to rasanblaj” — rosalux.gr" data-secret="bpy6YkfOhY" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://rosalux.gr/wp-includes/js/wp-embed.min.js </script> https://rosalux.gr/wp-content/uploads/2023/10/Ulysse_DECOLONIZE-en_cover-1.jpg459624The Haitian-American feminist anthropologist, artist and academic Gina Athena Ulysse engages in rasanblaj: a unique feminist and decolonial practice rooted in black aesthetics and the Haitian spiritual and historical experience. This volume attempts to broaden access to contemporary black radical thought and art, especially, to Caribbean genealogies. At the core of the volume is the